Before to tell about the meetings with Rolanom Antonovichem Bykovym, I would like to mention theatrical director G.A.Tovstonogove and circus performer Jurii Nikuline. George Aleksandrovich was remembered to me by the sample of harmony of the artist and the person. In art is always a unique rarity. Truly ingenious and outstanding always were human people: wise, accessible, kind. Such there was in my memory George Aleksandrovich Tovstonogov. The principle � not to expel from theatre of worthless actors was the fact of its creative biography, for example, it simply lost to them creative interest, ceased to work with them. I participated some years in mass meetings on a scene of the Leningrad theatre of Big Drama Theatre � two times entrusted with me incidental roles: Avel in �the Divine comedy� and a role of the schoolboy in performance �I, the grandmother, Iliko and Illarion�. I left theatre after performance, and spectators, � represent! � learnt me: �Look! Avel has gone!� Almost on each submission and actors and spectators the wave powerful emotional katarsisa covered. Even on shootings of author''s teleplays of G.A.Tovstonogova of all actors united surprising sensation of a reality of an event in pavilion. That there was George Aleksandrovicha''s ingenious direction. Once in institute doors LGITMIKa I have unintentionally faced the eminent director. It has very politely and gallantly let my pass. I have been shaken to these surprising acts. However, and further, when the similar situation repeated, George Aleksandrovich, smiling, persistently asked: �Only after you ��
And accessible circus clown Jury Nikulin was very kind also. The destiny has reduced me with it in a small dairy dining room on the Foundry prospectus. And the Leningrad circus in which the well-known clown worked, and my institute were nearby. Not numerous visitors of a dining room stealthily observed, how Jury Nikulin improbably comically tried to pick up a plug restless dairy sausages jumping on a plate. I have waited, when Jury Vladimirovich will have breakfast and leaves a dining room. For the autograph I have prepared a pure leaf from a normal notebook. Jury Nikulin has asked me what I wish to receive the autograph, has written me on a leaflet the very benevolent wishes, I conducted him to circus, on road we stirred about that about this, thus we so laughed loudly, that passers-by in perplexity looked back at us.
Rolan Antonovich Bykov in a real life was inconsistent, difficult, unpredictable. Now I understand, that in the theatrical and cine roles he tried to reincarnate in the one whom it never was. In a real life to it, possibly, much did not suffice, and in creativity Rolan of Bulls tried to forget about the complexes. To me he told, how it did not take in theatrical institute and wrote the resolution: �There are no data�. However, admirers of its talent from the press know about numerous silly zigzags in its creative destiny.
Even before receipt in VGIK I read the collection of articles of the Soviet film directors about a children''s motion-picture. Article Rolana Bykova to me has seemed to the most sensible and interesting. I imagined the smiling young man shining with happiness, the inhabitant of "the childhood Country�. I have got acquainted with Rolanom Antonovichem in pavilion of studio of a name of M.Gorkogo where it removed "Stuffed animal". In dialogue he tried to hide the feelings and mood, in eyes was veil the short-sighted person, it, as though hesitated of me, and when I, addressing to it, said his name, he hasty prompted: "Antonovich". I, by the way, have till now no concept what patronymic at it was actually: Antonovich or Anatolevich? However, I in a rate have put, that it was also Rolandom.
I have noticed, despite closeness of character Bykova, that to it have flattered, that any young student VGIKa has come to it on shootings to learn to director''s craft. He willingly whisper told about the vision of a film, has shown on the unsightly girl: It is daughter Pugachyovoj, Christina, very much and very talented, and that boy the son of the cosmonaut. I then observed of children, especial in them I have not noticed anything, children as children it is normal at studio on leading roles confirm cute, and they are ordinary on appearance, and small Christina Orbakajte looked, in general, the girl with a shortcut:� There are no data. However, they muttered the roles quite authentically and played without an actor''s folk tune, that it was pleasant to me. Normally children on shootings try to copy loudly as the director has told, but children-actors at Rolana Bykova were natural and organic. But the director-director was the most talented on a set, all the same. In the actor''s displays it was, undoubtedly, ingenious, was awfully cheerful to look at its talented improvisations in front of the camera. Displays Rolana Antonovicha to copy it was simply impossible! In taking breaks the anxious directors and managers approached to it, Rolan Bykov desperately waved away from them and for some reason swore. There were times when with the future film inhabitant of heaven very few people was considered, it obviously did not have a self-trust, he thirsted for the authorities, authority.
At once I will tell, Rolan Antonovich Bulls, on mine vzgjad, all life suffered �Napoleon''s complex�. He wanted as soon as possible, to leave an image of the kindest, but unfortunate Bashmachkina, to dump from itself Gogol an overcoat and to dress an imperial cloak. The person, by nature undersized, Rolan Bykov went in shoes on a high platform, loved bright checkered wide-brimmed jackets. But most of all he loved, when associates flattered it, thawed, when heard in the address: Ingenious! Ingenious!
When I have removed the debut work on the Alma-Ati film studio, I have arrived to Moscow to seem Rolanu Antonovichu and to ask creative support. It then had own creative integration on "Mosfilm". I could not make the way week to Rolanu Bykovu on reception. Then in managing editors of integration Rolan of Bykov has invited the young woman from Odessa. The inhabitant of Odessa has somehow approached to me and with obvious aplomb has declared: You what for here have arrived? To you here shines nothing. In integration I am a mistress! From it Rolan Bykov daily heard laudatory dithyrambs in the address. I have told about it Rolanu Antonovichu, that has arranged dismantling in integration, the managing editor was reprimanded. My cine works: �Glance in the childhood� (diplom) and "Burdock" (debut) Rolanu Antonovichu have liked. He has offered itself in a role of the leader of a telecast about young talents, has promised, that will tell kind words about me and about my film works.
On the Central TV similar transfer was conducted by Savva Kulish. Chiefs of film edition did not have a serious occasion to change the leader. I have heard opinion of teleofficers: �And who such Rolan Bykov? Well, who it such!?� I did not begin to report Rolanu Antonovichu, that with its opinion film edition does not wish to be considered. Has simply told: Have given up Bykov has terribly taken offence, however has signed to me a letter of recommendation in which petitioned for display of both my film works by the independent block. Rolan Antonovich has allowed to me to esteem one of scenarios which has already been started in production. Bykov was dissatisfied with the young debutant, something argued with it, and that did not obey Bykova, strove to make all in own way. The scenario has not liked me, it was the composition any grafomana, instead of a professional script writer. The scenario represented a muffled mosaic from a life of minors: about any addicts, about any sex I did not begin to speak Bykovu the opinion on the scenario: it has prepared the editor-inhabitant of Odessa. Rolan Antonovich it has suggested me to be connected to film crew work in quality sorezhissyora, with a condition, that on a set I will work with actors. I have not accepted the offer and have refused. Bykov after mine failure has allowed the command to close a picture. My pupils abused me:� Well, that you, Sanish, it was necessary to agree! The Film crew would see, how you professionally work with actors, would be switched to you, and other director would appear not at affairs. Making of the decision on failure, I was guided by a personal internal principle: do not do much harm near. I did not wish anybody to scheme, I did not wish to sit down in another''s director''s armchair.
After display of my films on a central television, I have arrived again to Moscow. Bykov by then has moved to apartments on �Pure ponds�. It had new managing editor Makarov with whom we were familiar. Have agreed about scenario searches. I have found fresh which were written by the young script writer, graduate VGIKa. The scenario has very much liked the Managing editor, he has hastened to purchase it, and me has sent in business trip on "Belarusfilm" to get acquainted with a film crew. In Minsk my future colleagues have suddenly started to abuse the scenario hardly. I, as could, protected the project. I after all could not agree with arguments of Byelorussians, differently was received, that at the managing editor of studio 12 "and" which has approved the scenario, and at me, there was no art taste.
I have arrived to Moscow, afflicted. I then did not know cherished secrets of occurring events: actually Byelorussians have requested on statement of twice more money. The country was on the threshold of inflation known to all of us and crash of the Soviet cinema.
Has suffered me hard on reception to Rolanu Antonovichu. I see, any people ran, one behind other pass in an office to Bykovu. Have called me Office Rolana Antonovicha on the sizes it has appeared directly auditorium. On a scene the main and unique hero � Rolan Bykov flaunted, in an orchestra employees bykovskogo a movie centre sat. Instead of confidential conversation with the Master, I have got on performance of the outstanding actor which as it seemed to me, long-long humiliated me before people unfamiliar to me. I was accused of a film project failure! On a scene I saw not the kind Master of children''s cinema, and the hero Gogol an overcoat which revelled in the power which has fallen down it. Employees of a movie centre the nervous trembling banged. In my party nobody has looked.
The last year our dialogue with Rolanom Antonovichem, I have somehow dropped a phrase, that supposedly I am not able �to bend a back. Bykov has hemmed indulgently: Anything, at me you will learn!
Rolan Antonovich has finished the accusatory monologue happy with the actor''s talent, has smiled to me and has told: �Eh, you, could not cave in before Byelorussians. Has not learnt still? Well it is fine, on horizon at me the grandiose project: to remove a huge blockbuster from fairy tales of nations of the world. Films will be about seventy. One-two fairy tales you will remove! If all is o''kej, I will be glad for you! Then Rolan Antonovich, already good-natured, has addressed to auditorium:� And you of that sit, misters? The Cinema has come to an end!

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